So here we are at the end of another decade and time for me to look through the ten ceremonies that took place in the 1950s and if any of the nominees deserved to win more than the film that actually took home the prize. However first of all I wanted to have a look at the films that weren't nominated from the 1949-1958 period classics such as Singin' in the Rain, Guys and Dolls and a lot of Hitchcock's output including Vertigo and Rear Window were cut out not to mention the films that Kurosawa and Bergman were making overseas. It just seems a bit of a shame that the stunning but shallow Biblical epics and the dreary war films were passed in favour of some of these films which have stood the test of time more than the final nominees. With that rant over let's get on with the review.
Ceremony 22: 1950
Winner: All the King's Men
Nominees: Battleground, The Heiress, A Letter to Three Wives, Twelve o'clock High
Did the Right Film Win?: Yes
It seems that Broderick Crawford's political corruption drama was definitely the best of the bunch from the 1949 selection. Of the others The Heiress was a dreary melodrama and the two war films Battleground and Twelve O'Clock High had their moments but were ultimately unmemorable. Only A Letter to Three Wives stood out as a possible contender hence director Joseph L Mankiewicz winner the prize for Best Director and winning the Best Picture prize the year after.
Ceremony 23: 1951
Winner: All About Eve
Nominees: Born Yesterday, Father of the Bride, King Solomon's Mines, Sunset Boulevard
Did the Right Film Win?: Yes
Not a lot of discussion here either All About Eve garnered a lot of nominations and they were all richly deserved in one of the best films of all time. If we're splitting hairs then Sunset Boulevard would be the only other real contender but Eve wins it for me every time.
Ceremony 24: 1952
Winner: An American in Paris
Nominees: Decision Before Dawn, A Place in the Sun, Quo Vadis, A Streetcar Named Desire
Did the Right Film Win?: No
Though a charming musical film I don't feel that An American in Paris has the lasting effect that some of the other nominees do. While it's probably better than espionage yarn Decision Before Dawn or biblical epic Quo Vadis it is a toss-up between the other two films for Best Picture. A Place in the Sun did have a great star-making turn from Liz Taylor but A Streetcar Named Desire just edges it for me as it grabs you from beginning to end and had three of the four acting categories sown up only a certain Mr Brando was left out in the cold.
Ceremony 25: 1953
Winner: The Greatest Show on Earth
Nominees: High Noon, Ivanhoe, Moulin Rouge, The Quiet Man
Did the Right Film Win?: No
Possibly the first case of the Academy giving a 'last chance' Oscar to someone who won't have another chance to win one was the fact that Cecil B Demille's film won Best Picture this year. It's true that its live circus atmosphere stays with you but apart from that I'm struggling to remember many details about it. Of the other nominees it is a bit more of a dead cert this year as I would've probably chosen High Noon if I'd been picking as it is the best of a mediocre bunch has a clear storyline and some great performances.
Ceremony 26: 1954
Winner: From Here to Eternity
Nominees: Julius Caesar, The Robe, Roman Holiday, Shane
Did the Right Film Win?: Yes
Sort of a mixed bag this year with another big epic, a Shakespeare adaptation, a romantic comedy and a Western as the contenders however it is this Hawaiian war film that is still the iconic piece thanks in no small part to that beach kiss.
Ceremony 27: 1955
Winner: On the Waterfront
Nominees: The Caine Mutiny, The Country Girl, Seven Brides for Seven Brothers, Three Coins in the Fountain
Did the Right Film Win?: Yes
There's no going against Elia Kazan's brilliant tale of union corruption and lost dreams with Marlon Brando not a contender but an actual winner. Of the others both The Caine Mutiny and The Country girl showed promise but there was no matching this brilliant film on the night.
Ceremony 28: 1956
Winner: Marty
Nominees: Love is a Many Splendored Thing, Mister Roberts, Picnic, The Rose Tattoo
Did the Right Film Win?: Maybe
It honestly depends on your taste in films but for me Marty was the best of this bunch thanks to Ernest Borgnine's performance as the unlucky in love butcher. Mister Roberts and Picnic were also good films with one being a great war film and the other featuring possibly William Holden's greatest turn. But for me the fact that Marty was set over only 24 hours and the great ensemble cast means that it was my favourite from those on offer.
Ceremony 29: 1957
Winner: Around the World in Eighty Days
Nominees I've Watched: Giant, The King and I, The Ten Commandments
Nominees Not Available To Me: Friendly Persuasion
Did the Right Film Win?: No
Personally another poor year with this overlong mess stunning Academy members with its exotic locations, slapstick comedy and numerous cameos. Of the other three that I have seen it is Giant that I would pick for a strong turn from Liz Taylor and also from James Dean although for a musical The King and I is also captivating. For me though I'd go for Giant as an alternative winner to this overblown epic.
Ceremony 30: 1958
Winner: The Bridge on the River Kwai
Nominees: Peyton Place, Sayonara, Twelve Angry Men, Witness for the Prosecution
Did the Right Film Win?: Not for Me
So my reasons for saying that the River Kwai wasn't the right winner is because my favourite film of all time 12 Angry Men was up against it. It didn't really stand a chance as it was shot in black-and-white and predominantly stayed in the same set but ultimately people have remembered it more fondly than Kwai. Witness for the Prosecution is also worth a mention for Charles Laughton's great turn as the lawyer and Marlene Dietrich for playing the sultry femme fatale so well.
Ceremony 31: 1959
Winner: Gigi
Nominees I've Seen: Cat on a Hot Tin Roof, The Defiant Ones, Separate Tables
Nominees Not Available: Auntie Mame
Did the Right Film Win?: No
Another musical set in France starring Leslie Caron wins again however the other three nominees in this category were deserved winners. I think for me I would pick Separate Tables due to the ensemble nature of the piece and the fact that it got two of the four acting awards that year. Paul Newman and Liz Taylor sparkle together in Cat on a Hot Tin Roof while Sidney Poitier and Tony Curtis have a great chemistry in The Defiant Ones. For me though it's all about the British hotel drama and some great turns from Niven, Kerr, Lancaster and Hayworth.
So those are my picks for the 1950s sees you in the 1960s probably next year some time.
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