Matt's Big Oscar Challenge Day Sixty: Anyone fancy an Indian? Well how about a trip to France?

A bit of globe-trotting now as we journey to India and then to France. First off is the Lives of a Bengal Lancer which was nominated for Best Picture at the 1936 ceremony. Its hard to describe the film as it isn't really a war film although it does feature scenes of conflict. It is set during the days of the British Raj where Lt. McGregor is stationed and welcomes two new Lieutenants the cocksure Forsythe and Tom Stone the son of the unit's commander Donald. It is this relationship between father and son that is the backbone of the film, as Tom is captured following being tempted by a woman working for the villainous Mohammed Kahn. Despite being told by Donald not to go after his son, Forsythe and McGregor journey to the enemy camp where they are captued and all three are tortured. Tom eventually gives out sensitive information to Kahn but before he can use it Donald and his men burst in and in the ensuing battle Tom kills Kahn but McGregor dies. Tom and Forsythe are given medals of honor and McGregor is posthmously awarded the Victoria Cross. Although not exactly packed full of action, The Lives of a Bengal Lancer was still a very accomplished picture. This was mainly due to the screenplay, which was nominated for the Oscar, which gave opportunties for all the central characters chances to grow and develop and also develop some laddish banter, especially that between Forsythe and McGregor. The acting is also very good with Gary Cooper giving his best performance so far on this quest and Richard Cromwell was also very stoic as Donald the man who wanted to get to know his son but his life as a soldier and almost stunted his emotions. The film was nominted for eight Oscars in total but only one two Oscars for its assistant directors, which is a shame as I really enjoyed this one.

After looking at Charles Dickens adaptations the other day, we have another adaptation this time of Victor Hugo's Les Miserables, now much better known as a musical than from its source text. In this version it is Frederic Marsh who plays Frenchman Jean Valjean the man who is imprisoned and after escaping is treated almost like a beggar but is able to rehabilitated by a kindly priest. He then transforms himself into Monsieur Madelaine a factory owner and later mayor however he encounters Inspector Javert, played by Charles Laughton, the head of the police who he remembers from his time in prison. At the same time Madeline takes in the woman-of-questionable-morals Fantine and her daughter Cossette. Javert reveals that a man is being tried under the name of Valjean, as he is about to be imprisoned the real Valjean reveals himself. Just before Javert is able to bring him to justice he escapes along with Cossette. Valjean is then able to work as a gardener and make enough money to enrol Cossette into a fancy school. During this final part of the story there is an uprising in France as groups start to rebel against the harsh nature of the police. Cossette falls for the leader of the group, who themselves start to attract police attention. This means that Javert comes back into Valjean's life, although Javert is captured by Valjean he reconsiders and lets him go. Javert continues to pursue Valjean but in the end commits suicide by jumping in the river and Valjean and Cossette are reunited. Having only been faintly familiar with the story I think Richard Boleslawski did a good job of bringing it to life. The scenes at the end of the film involving Javert and Valjean are incredibly startling as our Valjean's life following him leaving prison. Like with a star is born, Frederic march is able to dispaly a full range of emotions as Valjean while Charles Laughton steals the show as the villainous and despicable Javert. The film doesn't outstay its welcome and hits all the main plot points without lingering on any one character for too long. However it lost to another Laughton film, Mutiny on The Bounty.